indirect discourse

英 [ˌɪndəˈrekt ˈdɪskɔːs]

美 [ˌɪndəˈrekt ˈdɪskɔːrs]

n.  同 indirect speech; 间接引语

柯林斯词典

• 同 indirect speech
  Indirect discourseis the same asindirect speech.

双语例句

• Free Indirect Discourse ( FID) functions as an important means in the representation of the character's discourse in fiction narratives, and it is frequently under discussion along with the narrative voice.
  自由间接话语是小说叙事中再现人物话语的重要手段，而且常与叙事声音联系起来探讨。
• Indirect anaphora in English discourse
  英语话语中的间接照应
• Chapter Three mainly concentrates on the presentations of speech-free direct discourse, free indirect discourse and multiple discourses.
  第三章重点分析了小说集中的人物话语表达方式：自由直接引语、自由间接引语和多种话语方式的混合。
• Free indirect discourse plays a unique and distinctive role in expressing the characters 'speech and thought.
  自由间接引语作为小说中人物语言和思想的一种表达方式，发挥着别具一格的效果。
• Indirect speech acts given by Searle enriches speech act theory, thus the study of language rises to the level of discourse study and it's found that discourse and reality are constructed by language.
  舍尔提出间接言语行为的概念丰富了言语行为理论，把语言研究上升到语篇研究，发现语篇与现实是语言构建出来的。
• He creatively inserts symbolism into the post-apartheid South Africa theme in Disgrace. And the ambiguity and indeterminancy created by the internal focalization and the use of free indirect discourse make the novel endowed with characteristics of postmodernism.
  他创造性地将象征主义融入到《耻》的南非后种族隔离主题中，另外，内聚焦和自由间接引语的使用带来的模糊性与不确定性效果使小说具有后现代主义的特征。
• The Features and Identification Methods of Free Indirect Speech in French Discourse
  法语语篇中自由间接话语的特点与判定
• As a result, Free Indirect Discourse is tended to be read as being able to accommodate two voices: the voice of the narrator and the voice of the character.
  因此，自由间接引语可以同时容纳两种声音，包括叙事者的声音和角色的声音。
• Chapter Two gives a detailed interpretation of some characters in the novel from free indirect discourse.
  第二章从自由间接话语层面对小说的几个人物做细致的分析。
• The alignment of the three factors not only reveals Dual Voice to be a general narrative feature of the book but warrants the extensive application of Free Indirect Discourse.
  这三个因素的相互策应在表明双声游戏是小说的整体叙事特征的同时，也构成自由间接引语广泛应用的前提。